Showing posts sorted by relevance for query didion. Sort by date Show all posts
Showing posts sorted by relevance for query didion. Sort by date Show all posts

Thursday, May 28, 2009

MEMOIRS READ IN 2007

ON MEMORIAL DAY: "Ring out the grief that saps the mind for those that here we see no more." --Tennyson

WIT: A PLAY Margaret Edson. An intense treatment of cancer, complete with critical analysis of John Donne as well as touching references to The Runaway Bunny, Margaret Wise Brown's loosely connected companion piece to Goodnight Moon. Until I read Wit I had always preferred Goodnight Moon to Runaway Bunny, but in the same way that Aimee Bender (2014) elevates "Goodnight Moon," Edson's analysis gave me a new appreciation of Runaway Bunny. Who ever knew that this childhood favorite was actually a metaphysical poem? Enough wit and elegance to prepare us for the inevitably sad ending. The main character / patient / professor Vivian Bearing (in the movie, Emma Thompson portrays her perfectly) explains that against immense biochemical odds her "only defense is the acquisition of vocabulary" (44).
"lt is awesome. How does it do it? The intercellular regulatory mechanisms -- especially for proliferation and differentiation -- the malignant neoplasia just don't get it.  You grow normal cellsin a tissue culture in a lab...and they replicate enough to form a confluent monolayer.  They divide twenty times, or fifty times, but eventually they conk out. You grow cancer cells and they never stop. No contact inhibition whatsoever they just pile up. They keep replicating forever. That's got a funny name. Know what it is? . . . Immortality in culture." (56, emphasis added)
  
Related thought:
"While as humans, we often consciously
or unconsciously hope to achieve immortality,
immortality has a very real existence
in the cellular world — it’s called cancer.
"

from the article
"What Our Cells Teach Us About a ‘Natural’ Death"
by Haider Javed Warraich


Similarly, in THE YEAR OF MAGICAL THINKING Joan Didion writes that "Information is control" (94); and acquiring it is the most important thing she can do for her daughter Quintana Roo (a magical name!). Didion documents her relentless pursuit of knowledge concerning Quintana's illness. A vigilant advocate, she surrounds herself with medical texts, recording and absorbing as much information as possible. But, sadly, knowledge / information / vocabulary cannot always prevent loss. "No eye is on the sparrow" (190, 227).

THE LOVELY BONES & LUCKY Alice Sebold: If you go for true crime, LUCKY is a very sobering non - fiction account of Sebold's rape and the subsequent trial when she was an undergrad at Syracuse Univ. Her first book, THE LOVELY BONES, is a novel, also about the rape and murder of a young girl; the setting is a 1970s subdivision enough like the one my family lived in to give me nightmares. The two books really go hand in hand. I know they sound horrible, but I'm not sorry that I read either of them, despite their heinous subject matter. Sebold has endured with grace. We are lucky to have her on this planet.

Soon to be a movie of LOVELY BONES but not sure I'm ready for that. My least favorite part of the book is when her spirit enters her girlfriend's body so that she can make love with her highschool boyfriend. That reminded me just a bit too much of Ghost, with Whoopi Goldberg, et. al., or even worse Truly Madly Deeply. Sex with the dearly departed? That concept just doesn't work for me.

AUTOBIOGRAPHY OF A FACE Lucy Grealy: If you read this one a few years back, now it's time for TRUTH & BEAUTY, Ann Patchett's memoir about her friendship with Grealy. Very sad, very beautiful . . . but true? Important to remember that this is the truth according to Patchett, not Grealy (who is no longer here to comment), and certainly not Grealy's family (check out the web). However, the memoir does include a number of touching, searching letters written from Grealy to Patchett over the years. A compelling narrative that I stayed up until 3am to finish, it had been awhile since I wanted to read something that much!

Lots of insight on depression. Lucy writes to Ann of a discussion with her therapist concerning "the negative self - esteem thing":

"She said this extraordinary thing: I can stop it. I don't have to feel this bad about myself all the time. . . . I was sort of flabbergasted in the way [she] just so categorically said Yeah, we can fix that. Like it was an infection or a bad tooth or something. It was the objectifying of it that startled me, and I'm attracted to it, to thinking it's something you can change, though of course I don't believe it, yet that, according to . . . the shrink, is part of the problem, a bona fide symptom of it. Curious, very curious" (105).

Patchett observes that Lucy "was realizing that the enormous sadness of her life had possibly come from a source other than her face, and that she had never been able to get completely well because she had always been trying to fix the wrong thing" (235-36).

There is also Patchett's BEL CANTO (which many love, but I've started a couple of times without finishing) & PATRON SAINT OF LIARS (which I wasn't wild about: see my remarks below, 2003). PATRON SAINT was also made into a movie, something I was unaware of until reading TRUTH & BEAUTY. I'm keeping Patchett on my list of writers (along with Anne Lamott, Laurie Colwin & Alice Walker) whose nonfiction is much more appealing to me than their novels.

Monday, June 13, 2011

Homebody Somebody

Spice of Life!

A few additional Homebody thoughts, compiled after reading:

1. The Ten-Year Nap
by Meg Wolitzer

and

2. Click: When We Knew We Were Feminists
edited by Courtney E. Martin and J. Courtney Sullivan


After re-reading Anna Quindlen's bothersome late twentieth century essay on the topic of "Nesting," I thought I'd take a look at the new generation of writers in Click: When We Knew We Were Feminists. Some get it, some don't. Nellie Beckett, for example, can see that it's all real work. She writes that "Being a feminist means making my own choices but it also means supporting the choices that women in my life make. I'm a feminist for my mother, who chose to stay home with her kids and was criticized for doing so. She's now applying to be a lawyer. Despite her excellent credentials, law firms seem to think that fifteen years as a stay - at home mom don't qualify as "real work" (34). Thanks Nellie!

J. Courtney Sullivan, on the other hand, takes another tired old swipe at cookie - baking. She observes that her mother was successful professionally yet punished for not simultaneously being the perfect homemaker, victimized by a culture that devalues caretaking in the home while at the same time fetishizing it. . . . Those other mothers in my neighborhood, with their brownies and their wreath-making and their long dull days in the house, were no doubt victims of this too" (196 - 97). Wow, Courtney! Way to devalue!

Okay, I understand about her mother and our culture's schizophrenic attitude toward housekeeping and homemaking, but was their neighborhood really filled with women who spent long dull days stuck in the house making wreaths and brownies? Again, I hear an annoying echo of Quindlen's upholstery appointments and empty hours. For me and my parenting acquaintances, however, the hours were never empty. The years and days have been neither long nor dull. They have been fleeting and packed from morning until midnight with tasks and errands, and work of all kinds: free - lance, part - time, professional, communal, volunteering and fund-raising; grading, reading and writing after the children were tucked in bed. Some of it was inspirational, some of it was not -- but isn't that true of all work? And, yes, arts and crafts and baking did enter into the picture; but it wasn't dull; it was fun!

I'm the first to admit that running a household is something I always wanted to do. Quindlen confesses that she ran from that role "with furious little feet when [she] was growing up." That's okay. But, guess what? I ran toward it. Sure, popular television made it all look so easy and attractive -- June Cleaver vacuuming the carpets while wearing pearls and heels; and Donna Reed, the very image of comfort, handing out those brown-bag lunches. But it wasn't that. In fact, I was only too willing to follow the excellent advice of Barbara Ehrenreich: no need to iron the diapers or polish the ceiling; that kind of make - work can go by the wayside. Still, as a student of literature, I wanted what Yeats' describes: " . . . a house / Where all's accustomed, ceremonious."

I wanted to take an hour pulling the dinner together. As mentioned before on this blog, I've been inspired by writers like Laurie Colwin, who shows her readers how to feel "ennobled" by the elemental, yet potentially elegant, task of feeding loved ones. Or Joan Didion, who writes so beautifully about "the repeated rituals of domestic life. Setting the table. Lighting the candles. Building the fire. Cooking. All those souffles, all that creme caramel, all those daubes and albondigas and gumbos. Clean sheets, stacks of clean towels, hurricane lamps for storms, enough water and food to see us through whatever geological event came our way. These fragments I have shored against my ruins, were the words that came to mind then. These fragments mattered to me. I believed in them. That I could find meaning in the intensely personal nature of my life as a wife and mother did not seem inconsistent with finding meaning in the vast indifference of geology and the test shots; the two systems existed for me on parallel tracks that occasionally converged, notably during earthquakes" (The Year of Magical Thinking, 190 - 91). Never do Colwin or Didion undervalue nesting!

My experiences growing up had shown me that home was a happier place with a dedicated grown up human at the helm. If you ask me, it's not good growing up in a house that isn't run by anybody. Dreamy Leonard Cohen writes that "My favourite cooks prepare my meals, / my body cleans and repairs itself, / and all my work goes well." Very good for Leonard and wonderfully poetic, but I have yet to meet the body or the house or the child that cleans and repairs itself. Best to have someone committed to these tasks rather than crossing one's fingers and hoping for the best.

I can't help thinking, just for a moment here, about one of our babysitters from those early years -- not a teenage girl, mind you, but an adult mother who claimed to run an in - home, small - group daycare service. She "fired" my child from her group because, according to her, when he was there she was unable to accomplish her household chores such as cooking and laundry! Ah ha, I realized, this was a daycare service for children who didn't need daycare (something like David Letterman's laundry service that only accepted clean clothes)! The other children in the group were able, apparently, to clean and repair themselves. Not my child; he needed some minding, which, of course, is why I was seeking out a few hours of childcare in the first place!

Likewise the house. It's a better place to live if someone is minding it.

I recall a magazine article I read back in the mid 90s, when my children were small -- about the father who was put to shame when his young son exclaimed about the household, "It's like Mom runs this place!" The message, of course, was that every adult in the family should be equally competent at every task -- no division of labor allowed! Dad must now scurry to become as proficient as Mom is at whatever it is that Mom does best. And vice versa, surely. But this model isn't always possible, or timely, or effective, or even to be desired. If my children had ever exclaimed in wonderment that "It's like Mom runs this place," my husband's answer would have been immediate: "You bet she does!"

How unfortunate, though, that the implication of laziness and lack of ambition has attached itself to the task of running the place.

I encountered this when an old friend was in town for business and we met for dinner, an enjoyable occasion until the separate checks arrived and while charging hers to her company card, she said, "I guess your husband will have to pay for yours." Funny she couldn't see me as paying for myself.

Or the well-meaning (?) family member and house guest who glanced up as I carried in the grocery shopping and declared, "Out spending your husband's money again?" Funny it didn't occur to her to ask, "Out taking care of your family again?"

Or the party guest who stated, "So I guess you just do pretty much whatever you want to all day long." Funny it didn't occur to him that I, like any other responsible adult, spend many hours per day fulfilling obligations.

Or the husband who, hearing his wife tell me that she had retired from part-time work to become a busy grandmother, chimed in to chide: "You can't really call it retirement unless it comes with a pension." Funny how little he was able to honor his own wife's effort as mother and grandmother.

Friends, relatives, colleagues, feminist essayists -- they should offer support for our choices which in turn support their choices. So why the denigration? Why the sneering? Because apparently a woman's worth is measured by her income.

Maya Schenwar brings this point home in her excellent article about homechooling. Because it is unpaid, homeschooling, like homemaking, is not always thought of as real work, regardless of how challenging and rewarding it may be. Schenwar enumerates the "tricky questions for homeschooling mothers" raised by the issue of homeschooling. For example:

"Can women trade their careers for their families without sacrificing a few of their feminist values?"

Since most homeschoolers are women and most of their income providers are men, does the woman's economic dependence on her husband set a bad example for her children?

Is it truly possible to live at a remove from sexism and consumerism?

When stay-at-home moms and homeschoolers choose to leave the workforce, to what degree if any are their decisions actually influenced by insidious patriarchal forces?

How deal with feeling undercompensated at times?

How negotiate the fine line between protesting capitalism and becoming unpaid labor?


Although I did not take on the challenge of homeschooling my own children, Schenwar's conclusion still rings true for me as a summation of the years I have spent so far at home with my children:

"As the feminist homeschooling movement gains momentum, mothers will increasingly be faced with tough, identity-defining questions: Does being a feminist mean you have to have a paid job? What does it mean to raise a feminist kid? Is there a feminist definition of success, and should there be? It’s important to keep in mind that a homeschooling mom is many things besides a homeschooling mom — even if she can’t stop talking about her kid’s latest papier-mâché dinosaur. Forging these more complex identities entails recognizing all the hats they wear besides “homeschooler.” Packebush is a zinester, Schira is a webmaster and writer, and so on. They’re Marxists, or anarchists, or punks, or please-don’t-define-me-the-reason-I-homeschool-is-to-get-away-from-this-label-slapping-bullshit human beings" (see "Learning Curve," www.bitchmagazine.org).


I am intrigued by the title Meg Wolitzer has given to her novel about stay - at - home - motherhood: The Ten - Year Nap. One thing I can say about my first decade (soon to be two) as a stay - at - home mom and politically incorrect housewife -- it sure hasn't been a nap!

Far from it! Regarding all the brain cells and manual labor required to keep the family up and running, I relished the following line from a Christmas letter we received from some of our British acquaintances who have two sons, both of whom are just a bit older than our two and no longer living at home full - time, proof that the organizational needs of the family don't go away just because the kids get bigger; perhaps, in fact, the opposite: the needs increase with size! The writer of the letter is the husband Julian (an Anglican priest in Sheffield, England), who pays this loving tribute to his wife Veronica, in his succinct list of how each family member has spent the previous year:

"Veronica busy keeping everyone else going
-- well someone's got to do it."

Or as my wise friend Eve wrote to me about rising above that nagging, sometimes overwhelming "errand - girl" sensation: "If I didn't do these things, we would have a very different family--and that's the truth."

Very plain prose, yet I think both Eve and Julian (and Anna F. / previous post, just below) express what we crave -- not reams of praise, but merely the affirmation that working in the home is way more than brownie baking and wreath making; that what we spend so many hours doing is absolutely necessary, not a frill, not a frivolity. If we do it out of love -- good; if we happen to love doing it -- good. But all that aside, it's primary, not secondary to everyone's well - being. That's all.

Scroll down (or click) for Part One . . .

Scroll up (or click) for Part Three
And Artisanally!

Sunday, January 31, 2021

Some Old Things for the New Year

Plus a new little avid reader!
Sometimes a baby just needs to catch up
on her favorite magazines!
So far, Little Ellie has only new favorites,
but I have a lot of recurring favorites.
Here is a random list of things that have re-
crossed my mind lately or come up in conversation:
"Although speakers and listeners, writers and readers, are in one sense engaged in a cooperative effort to understand one another, they are also in conflict over the amount of effort that each will expend on the other.  That is, the speaker or writer wants to say what he has to say with as little energy as possible and the reader or listener wants to understand with as little energy as possible. . . . Thus anything that facilitates the transfer of  meaning is important in this tight economy of energy."
Mina P. Shaughnessy (1924 - 1978)
from Errors and Expectations, pp 11 - 12

1. More about writing:
"On Keeping a Notebook" by Joan Didion

2. About spirituality:
Nearly anything by Richard Rohr

3. About reminiscing:
Flowers for Algernon by Daniel Keyes

4. About the meaning of life:
The Thing About Life is That One Day You'll Be Dead
by David Shields

5. About de-cluttering:
The Gentle Art of Swedish Death Cleaning:
How to Free Yourself and Your Family from a Lifetime of Clutter

by Margareta Magnusson

6. About reincarnation:
The Search for a Soul: Taylor Caldwell's Psychic Lives
by Jess Stearn

7. About visions:
Lying Awake by Mark Salzman

"She knew that it was better to have a dream, and pay a price for it, than to be lukewarm. Sometimes the price of following a dream includes confusion. . . . Sister John thought: I can't bear the thought of going back to who I was before. I prayed and scrubbed and went through the motions with no feeling of love, only a will to keep busy. If the surgery were to take my dream away, everything I've goone through up to now would seem meaningless. I wouldn't even be able to draw inspiration from the memeory of it; I couldn't face that desert again, not this late in my life." (137 - 38)

8. While we're on the topic, a great poem that goes
along with the theme of the novel Lying Awake:

Monet Refuses The Operation

Doctor, you say there are no halos
around the streetlights of Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.

Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?

I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.


Lisel Mueller (b. 1924)
German born American poet
Pultizer Prize for Poetry, 1997

*************
Ironically, a year ago we joked that 2020
was going to the year of clearer vision,
as in 20 / 20. Haha!
But, alas, it was not to be.

Here's to better luck in 2021!

Re-read some old favorites and
may our minds be stronger tomorrow!

Wednesday, August 2, 2017

HBJ

Old Reliable Teaching Anthology

The HBJ Reader includes so many great essays, by Eudora Welty, Langston Hughes, Barry Lopez, Isak Dinesen, Lewis Thomas, George Orwell, Alice Walker, William Styron, E. M. Forster, Virginia Woolf, Stephen Jay Gould, James Baldwin, Joan Didion, Bertrand Russell, Barbara Tuchman, Loren Eiseley, and Paul Tillich

I recently took it off the shelf to reread a couple of long - time favorites: "Salvation" by Langston Hughes and "The Riddle of Inequality" by Paul Tillich. Despite Tillich's inconsistent use of inclusive pronouns [see my note below*], his observations have always helped me to appreciate how I take my mental health for granted, how, even in the worst of times, I don't know my own strength.

****************************

final paragraphs from
"The Riddle of Inequality"
Chapter 3
in Tillich's book
The Eternal Now

We cannot tell somebody who comes to us in great distress about himself -- "Make use of what was given you," for he may have come to us precisely because he is unable to do so! And we cannot tell those in despair because of what they are -- "Be something else," for the inability to get rid of oneself is the exact meaning of despair. We cannot tell those who failed to conquer the destructive influences of their surroundings and thence were driven into crime and misery --"You should have been stronger," for it was just this strength of which they were deprived by heritage or environment. Certainly they are all men, and freedom is given to them all. But they are also all subject to destiny. It is not for us to condemn others because they were free, as it is also not for us to excuse them because of the burden of their destiny. We cannot judge them. And when we judge ourselves, we must keep in mind that even this judgment has no finality, because we, like them, stand under an ultimate judgment. In it the riddle of inequality is eternally answered. But the answer is not ours. It is our predicament that we must ask the question, and we ask with an uneasy conscience -- why are they in such misery? Why not we? Thinking of those near to us, we ask --are we partly responsible? But even though we are, the riddle of inequality is not solved. The uneasy conscience asks also about those most distant from us -- why they, why not we? [You can see here why I was reminded of Bertrand Russell's "Three Passions."]

Why did my child, or any one of millions of children, die before he had the chance to grow out of infancy? Why was my child, or any child, born crippled in mind or body? Why has my friend or relative, or anyone’s friend or relative, disintegrated in his mind, and thus lost both his freedom and his destiny? Why has my son or daughter, gifted as they were with many talents, wasted them and been deprived of them? Why do such things happen to any parent at all? And why have the creative powers of this boy or that girl been broken by a tyrannical father or a possessive mother?

None of these questions concern our own misery. At present, we are not asking -- why did this happen to me? It is not Job’s question that God answered by humiliating him and then elevating him into communion with Him. It is not the old and urgent question -- where is divine justice, where is divine love, for me? It is almost an opposite question -- why did this not happen to me, while it did happen to another, to innumerable other ones, to whom not even Job’s power to accept the divine answer was given? Why, Jesus asks also, are many called but few elected? He does not answer the question, but states simply that this is the human predicament. Shall we therefore cease to ask, and humbly accept a divine judgment that would hurl most human beings out of community with the divine and condemn them to despair and self-destruction? Can we accept the eternal victory of judgment over love? We can not, nor can any human being, though he may preach and threaten in such terms. As long as he is unable to visualize himself with absolute certainty as eternally rejected, his preaching and threats are self-deceptive. For who can see himself eternally rejected?

But if this is not the solution of the riddle of inequality at its deepest level, may we go outside the boundaries of Christian tradition to listen to those who would tell us that this life does not determine our eternal destiny? There will be other lives, they would say, predicated, like our present life, on previous ones and what we wasted or achieved in them. This is a serious doctrine and not completely strange to Christianity. But since we don’t know and never shall know what each of us was in a previous existence, or will be in a future one it is not really our destiny developing from life to life, but in each life, the destiny of someone else. Therefore, this doctrine also fails to solve the riddle of inequality. [My note: As I've always suspected, what is the use of learning the lessons taught by time, if we have no consciousness of our accruing knowledge and no ability to carry it on to the next life?]

Actually, there is no answer at all to our question concerning the temporal and eternal destiny of a single being separated from the destiny of the whole. Only in the unity of all beings in time and eternity can there be a humanly possible answer to the riddle of inequality. "Humanly possible" does not mean an answer that removes the riddle of inequality, but one with which we can live.

There is an ultimate unity of all beings, rooted in the divine life from which they emerge and to which they return. All beings, non-human as well as human, participate in it. And therefore they all participate in each other. And we participate in each other’s having and in each other’s not having. When we become aware of this unity of all beings, something happens to us. The fact that others do not have changes the character of our having: it undercuts our security and drives us beyond ourselves, to understand, to give, to share, to help. The fact that others fall into sin, crime and misery alters the character of the grace that is given us: it makes us recognize our own hidden guilt; it shows us that those who suffer for their sin and crime suffer also for us, for we are guilty of their guilt and ought to suffer as they suffer. Our becoming aware of the fact that others who could have developed into full human beings did not, changes our state of full humanity. Their early death, their early or late disintegration, brings to our own personal life and health a continuous risk, a dying that is not yet death, a disintegration that is not yet destruction. In every death we encounter, something of us dies, and in every disease, something of us tends towards disintegration. [My note: Precisely! Here is John Donne's message -- see below -- nearly word for word, but without the metaphor of clod, mainland, and sea.]

Can we live with this answer? We can to the degree to which we are liberated from seclusion in ourselves. But no one can be liberated from himself unless he is grasped by that power which is present in everyone and everything -- the eternal, from which we come and to which we go, and which gives us to ourselves and liberates us from ourselves. It is the greatness and heart of the Christian message that God, as manifest in the Christ on the Cross, totally participates in the dying of a child, in the condemnation of the criminal, in the disintegration of a mind, in starvation and famine, and even in the human rejection of Himself. There is no human condition into which the divine presence does not penetrate. This is what the Cross, the most extreme of all human conditions, tells us. The riddle of inequality cannot be solved on the level of our separation from each other. It is eternally solved through the divine participation in the life of all of us and every being. The certainty of divine participation gives us the courage to endure the riddle of inequality, although our finite minds cannot solve it.


****************************

* from John Donne's “Meditation XVII”

This bell calls us all. . .
No man is an island,
Entire of itself,
Every man is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thy friend's
Or of thine own were:
Any man's death diminishes me,
Because I am involved in mankind,
And therefore never send to know for whom the bell tolls;
It tolls for thee.
When Donne says "man" does he mean women too? Hard to say. I rarely make that assumption, since I don't believe that most male writers, apart from a few exceptions, deserve that benefit of the doubt. Yet something inside me wants to embrace Donne's otherwise humane message.

I still remember reading Donne's famous passage to Ben and Sam in their early teens and young Ben, bless his raised consciousness, saying, "Mom, those are sexist pronouns."

In despair and resignation, I answered him, "Yes, I know, but, lo, after all these centuries, dare I edit the Master John Donne?" Heaven knows I'd like to, and it wouldn't be hard to do. It we didn't live in such a broken world, those male writers would have done it right in the first place. Can the damage ever be undone? In my linguistic frustration, I have indeed taken the liberty of slyly editing whatever needs fixing: William Blake, D.H. Lawrence, The Holy Bible, numerous Psalms and Hymns. Bird by bird. Pronoun adjustment may not right all the wrongs of the world, but it's a place to start.

I know Donne and Tillich should have been able to do better, but even Martin Luther King, Jr. failed miserably when it came to the use of inclusive pronouns. Another learning experience for the boys and me was listening to recordings of King's speeches every year on MLK Day. I had to do a lot of oral editing for them: changing "men" to "people" and "brotherhood" to "humanity," and so forth. King never says "men and women," only "men." Once or twice, in reference to children, he says "little boys and little girls" but that's it; grown women weren't on his linguistic spectrum. I'd like to think that had he lived on, he would have sooner or later eliminated the sexism from his language. But so many others still haven't and apparently don't intend to, as if it doesn't matter. We need a constant reminder of that line from "The Spinx" by Muriel Rukeyser (another old favorite from teaching days): "When you say Man . . . / you include women too. Everyone knows that. / . . . That's what you think." It's certainly not what I think!

Wednesday, July 31, 2013

Girls of Summer

Two Girls Reading
by Robert Lewis Reid, 1862 – 1929
American Impressionist painter and muralist

"I was the youngest, shiest, most self-conscious adolescent
that -- I believe -- ever lived. In addition, I have to confess
that my adolescence lasted a phenomenally long time.
Dare I say I have outgrown that period even now?

"But if one eliminates adolescence from life and records,
how much is suppressed: youth, hope, dreams, impractical ideals,
falling in love with 'countless not impossible He's,'
gaiety that spurts up for no reason,
despair that is gone the next morning,
and a foretaste of the inevitable tragedies of life along with
one's early confused attempts to understand or meet them. . . .

"Besides, I have a certain respect
for the early efforts of this struggling adolescent,
who now seems so many lives removed from the self of today.
I can laugh at her and am often embarrassed by her,
but I do not want to betray her.
Let her speak for herself."


from the 1972 introduction to
Bring Me a Unicorn:
Diaries & Letters of Anne Morrow Lindbergh 1922 - 1928

by Anne Morrow Lindbergh, 1906 - 2001

I read Lindberg's early autobiography not long after it was written, during the fall of my Senior year in highschool, an intense time for any girl, bookish or otherwise. At the time, I had to think twice about her generous inclination to forgive her adolescent self. Already, by age seventeen, my tendency -- when it came to dealing with the embarrassing mistake - making me -- was toward suppression and betrayal. Did I really have to acknowledge the unbearable stupidity of that foolish girl? Lindbergh is right of course; you'd best come to terms with your past naivete. Author Joan Didion also urges against self - betrayal:
"I think we are well advised to keep on nodding terms with
the people we used to be whether we find them attractive company or not.
Otherwise they turn up unannounced and surprise us, come hammering
on the mind's door at 4 a.m. of a bad night and demand to know
who deserted them, who betrayed them, who is going to make amends."

from "On Keeping a Notebook,"
found in Slouching Toward Bethlehem

Earlier this summer I read Beverly Cleary's Fifteen (1956) and Maureen Daly's Seventeenth Summer (1942), forerunners in the genre of adolescent lit. I'm usually the first to say that it's never too late to pick up a book that you meant to read back when you were fifteen or sixteen, but perhaps I waited too late in life for these two. While both novels deal quite honestly with the confusing emotions listed by Lindbergh -- "youth, hope, dreams, impractical ideals, falling in love" -- I'm cannot say that they have stood the test of time. I cringed more than once. Still, I must concede that they have been and continue to be loved by many. So, heeding Lindbergh's advice, I suppose I can find Jane and Angie laughable or embarrassing if I want to, but it's not for me to betray them; they can speak for themselves!

To my great delight, I felt quite the opposite last month when at long last I opened A Tree Grows in Brooklyn (1943) by Betty Smith. As with Fifteen and Seventeenth Summer, I can't explain why I waited so long to read this classic that is often recommended for middle - schoolers, age ten and up. It seems like something I would have read when I was younger but somehow never did.Thankfully, however, I finally made up for lost time. I took it along to Las Vegas for airplane reading and, honestly, could not put it down, something that has not been happening often enough lately! I can say it no better than my niece - in - law Annie (much younger than I), who wrote: "I first read A Tree Grows in Brooklyn just this year. I was drawn in by the way she described her surroundings and the rise and fall of her hopes. I loved it."

Indeed, Francie's historically accurate and heartfelt narrative has lost no relevance whatsoever. As I was reading, I kept thinking how wonderful it would be to go to Brooklyn and take a walking tour of the street corners, schools, and neighborhoods described by Smith; but then I gradually realized that most of those spots don't even exist any more, although it was not all that long ago. I think that's part of what made me like the book so much -- the way Smith captures both the exterior and the interior of this vanishing time in American history.

Favorite summer vacation picture,
in case you missed it on my daily blog:

"As she read, at peace with the world and happy
as only a little girl could be with a fine book
and a little bowl of candy, and all alone in the house,
the leaf shadows shifted and the afternoon passed."


from A Tree Grows in Brooklyn
by Betty Smith

Should you care to devote the remainder of your summer to reading some great girl narratives, here are a few more recent titles that I've read this year. These novels honor the "struggling adolescent," whom Anne Morrow Lindbergh so eloquently urges us to respect. They feature girls who are filled with a "gaiety that spurts up for no reason," a "despair that is gone the next morning, and a foretaste of the inevitable tragedies of life along with one's early confused attempts to understand or meet them."

Annie John (1985) by Jamaica Kincaid

You just have to love Annie's exuberance for school: "It was the first day of the new term, Miss Nelson said . . . we were to spend the morning in contemplation and reflection and writing something she described as an 'autobiographical essay' . . . I knew quite well about 'autobiography' and 'essay,' but reflection and contemplation! A day at school spent in such a way!" (p 38).

As for the girls who don't catch the excitement as Annie does: ". . . what a dull bunch they were! They had no different ideas of how to be in the world; they certainly didn't think that the world was a strange place to be caught living in. . . . It was if I had grown a new skin over the old skin and the new skin had a completely different set of nerve endings. . . . We no longer lived on the same plane" (p 91 - 92).

[For more from Annie, see my post "Columbus Day"]

The Center of Everything (2004) by Laura Moriarity
Evelyn, a Kansas school girl, is a lot like Francie (in A Tree Grows in Brooklyn), growing up in poverty and putting her faith in education; questioning society and religion; coming to understand the facts of life as she sees friends, neighbors, and parents struggle through pregnancy, childbirth, child care, making a living, and making ends meet.

[You can read a few of Evelyn's insights in the end comments on my Fortnightly post: Lot's Wife, Who Gave Her Life For a Single Glance]

In Country (2005) by Bobbie Ann Mason
Samantha age 17

The Elegance of the Hedgehog (2008) by Muriel Barbery
Twelve - year - old Paloma seems a little too smart to be credible, as does her fifty - four - year - old co - narrator, the concierge Renee, whose overbearing snobbery -- and I suspect that of the author herself -- nearly ruins the narrative. Yet in some chapters, Paloma lapses into more believable age - appropriate diction; and I admire the concept of her notebook, which reminds me of my own blog intentions of searching for connections:

"I have set my goal to have the greatest number possible of profound thoughts, and to write them down in this notebook: even if nothing has any meaning, the mind, at least, can give it a shot, don't you think?"

and her conclusion:

"I have finally concluded, maybe that's what life is about: there's a lot of despair, but also the odd moment of beauty, where time is no longer the same. It's as if those strains of music created a sort of interlude in time, something suspended, an elsewhere that had come to us, an always within never.

Yes, that's it, an always within never.

. . . from now on, for you,
I'll be searching for those moments of always within never.

Beauty, in this world."
(pp 26, 325)


[More on my daily blog: Bouquet ~ Quotidian ~ Go]

Short Girls (2009) by Bich Nguyen
Not so tall sisters Van and Linny are somewhat of a disappointment after the endearing narrator of Stealing Buddha's Dinner.

The Marriage Plot (2012) by Jeffrey Eugenides
Twenty - two year old Madeline seems not quite as smart as she should be.

Young Girl Reading
by Berthe Morisot, 1841 - 95
Leading French Impressionist

Wednesday, July 17, 2019

To Assume My Humanity

Enfant écrivant (1870) ~ Henriette Browne (1829 - 1901)
Alternately entitled: A Girl Writing; The Pet Goldfinch

**************************

From youth to age we turn to books
in search of our true selves . . .


"When you were young
And your heart was an open book

You used to say live and let live
You know you did
You know you did
You know you did
But if this ever changin' world
In which we live in
Makes you give in and cry
Say live and let die
. . ."
~ Paul & Linda McCartney ~


"When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep
. . ."
~ William Butler Yeats ~


**************************

Steve Almond: "Literature exists to help people know themselves. . . . What I want to argue in this peculiar pint-sized ode is that our favorite novels aren't just books. They are manuals for living. We surrender ourselves to them for the pleasures they provide, and for the lessons they impart" (9, 15, emphasis added).

From his essay:
William Stoner and the Battle for the Inner Life
[Recommended by Ned; see also Stoner; and Victoria]


Madeleine L'Engle: "Journal entries for those days were earnest. I was reading as many letters of the great wrtiers as I could get hold of, and copying out the things that touched me closely. . . . Chekhov . . . Thoreau . . . Plato . . . Slowly I was learning who I was and who I wanted to be with the help of the great ones who had gone before me" (39 - 41, emphasis added).

From her autobiography:
Two - Part Invention: The Story of a Marriage


Marilynne Robinson: "Why do we need to read poetry? . . . Read it and you'll know why. If you still don't know, read it again. And again. Some of them took the things she said to heart, as she had done once when they were said to her. She was helping them to assume their humanity" (21, emphasis added).

From her novel
Home
**************************

So I asked myself: Who were the poets who helped me "assume my humanity"? Which "great ones" had paved the way? When did this process begin and with what authors?

For teen - age booksworms, particularly girls, a typical and time - honored answer might be Jane Austen, or the Bronte sisters. For me, however, it was Taylor Caldwell and Lloyd C. Douglas. Literary or not, these were the authors who inspired a summertime (1970 or so) quest to read if not their complete works, at least all that I could see on the library shelf.

Around the same time, my appreciation of poetry was kindled not by any one matchless poet but by the editor Ted Malone who introduced the selections in his anthology so tenderly that my heart was ready to honor each poem before I even read it. Next (1974 - 1980) came the early soul - searching and consciousness - raising poems of Naomi Shihab Nye; and eventually I gathered "who I was and who I wanted to be" from Edna St. Vincent Millay, Mary Oliver, Marge Piercy, Walt Whitman, Ernest ~ Sandeen (please see comment below).

When I asked Gerry about the idea of assuming one's humanity through literature, he named Charles Dickens and George Orwell. Unlike Gerry, who answered with no hesitation whatsoever, I confess to a few moments of consternation before settling on Franz Kafka and Virginia Woolf as the classic reading - list authors who most significantly provide pleasure, impart wisdom, and profoundly impact my way of understanding the world around me and the world inside my head.

A couple of summer's ago, my friend Don Lynam suggested that we all share our "list of books that have survived multiple purges." So many people posted so many intriguing titles, ranging from classics tried and true to others lesser known, with a generous sprinkling of curious, eccentric, and unique choices! Each item, thoughtfully chosen, had undoubtedly aided the various contributors in the assumption of their humanity.

The titles on my personal list overlapped with many already included in Don's survey, so I added only two: my all - time favorite The Master & Margarita by Mikhail Bulgakov; and, on Gerry's behalf, Diary of a Man in Despair by Friedrich Reck-Malleczewen.

**************************

In closing, here are a few life - changing, mostly non-fiction "manuals for living" that would survive any purge of mine. If you are in search of life coach advice, try delving into -- or even just skimming -- nearly anything written by . . .

Brian Andreas - poetic cartoonist
Bill Bryson
Paul Collins - Not Even Wrong
Joan Didion - "On Keeping a Notebook" ~ "On Self - Respect" ~
"In Bed: On Migraines"
Andrea Dworkin
Marilyn French - The Women's Room
Stephen Jay Gould

Anne Lamott ~ Turning 60 / 61 / 68 / 70 / Commence
"Age Makes the Miracles . . ." [in comments below}

Alan Parsons - lyricist
Leonard Shlain - The Alphabet Versus the Goddess
Sarah Vowell
Barbara G. Walker - The Skeptical Feminist: Discovering the Virgin, Mother, and Crone

And three plays:
The Fantasticks
Our Town ~ "The Least Important Day"
Stop the World -- I Want to Get Off