Showing posts sorted by relevance for query margarita. Sort by date Show all posts
Showing posts sorted by relevance for query margarita. Sort by date Show all posts

Sunday, March 31, 2013

Transfixed

Yet I believe beyond believing
that life can spring from death,
that growth can flower from our grieving,
that we can catch our breath
and turn transfixed by faith.

~ William Gay ~


Sun Shining Through Lace Curtains Onto the Hardwood Floor
(photo taken 15 September 2011)

~ Some books I like to reread each year around Easter ~

Fifth Business
Robertson Davies

A wise aging priest discusses the need for a role model: "My own idea is that when [Christ] comes again it will be to continue his ministry as an old man. I am an old man and my life has been spent as a soldier of Christ, and I tell you that the older I grow the less Christ's teaching says to me. I am sometimes very conscious that I am following the path of a leader who died when He was less than half as old as I am now. I see and feel things He never saw or felt. I know things He seems never to have known. Everybody wants a Christ for himself and those who think like him. Very well, am I at fault for wanting a Christ who will show me how to be an old man?* All Christ's teaching is put forward with the dogmatism, the certainty, and the strength of youth: I need something that takes account of the accretion of experience, the sense of paradox and ambiguity that comes with years!" (164.)

* Or how to be a woman of any age!

The Secret Life of Bees
Sue Monk Kidd
[Also mentioned in 2003]

So similar to what Davies says about the need for an old Christ: "I wish you could've seen the Daughters of Mary the first time they laid eyes on [the Black Madonna]. You know why? Because when they looked at her, it occurred to them for the first time in their lives that what's divine can come in dark skin. You see, everybody needs a God who looks like them" (141).

For years now, I've been saying that Jesus needed a twin sister; and Kidd has incorporated this own personal heresy of mine into her novel: "I could read her thought: If Jesus' mother is black, how come we only know about the white Mary? This would be like women finding out Jesus had had a twin sister who'd gotten half God's genes but none of the glory" (53).

The Last Temptation of Christ
Nikos Kazantzakis
[See previous posts: 2007 & "Let Them All In"]

His somewhat unconventional Jesus insists that he is "son of man, I tell you, not son of God. . . I shall stand up and proclaim the truth!"

The Apostle Paul replies in anger: "True or false -- what do I care! It 's enough if the world is saved. . . . What is 'truth'? What is 'falsehood'? Whatever gives us wings, whatever produces great works and great souls and lifts us . . . above the earth -- that is true. Whatever clips off our wings -- that is false. . . . I create the truth, create it out of obstinacy and longing and faith." (477)

In an excellent closing note, P. A. Bien, writes that Kazantzakis "was not primarily interested in reinterpreting Christ or in disagreeing with, or reforming, the Church. He wanted rather, to lift Christ out of the Church altogether . . . The measure with which the reader of this book feels (perhaps for the first time) the full poignancy of the Passion will be the measure of the author's success."

While I feel no doubt of this novel's success, it is actually another novel which, in my opinion, renders the Passion most poignantly, and that is . . .

The Master and Margarita
Mikhail Bulgakov
[See companion post: "Illusion of Control"
and Nadia Bolz-Weber on "Forgiveness"]

Bulgakov treats not only the Passion of Christ, but also

~ the Passion of the Master, whose novel about Pontius Pilate is rejected by the critics and lands him in the mental asylum but is later read by both Jesus and Pilate, himself;

~ and the Passion of Margarita, whose quest for happiness leads her to Satan's ball and the final realization that "the world is built on" forgiveness, complete forgiveness;

~ and the Passion of Pontius Pilate, who commands the prisoner Yeshua to "swear by your life since it is hanging by a thread."

Yeshua responds calmly: "You do not think, do you, Hegemon, that you hung it there? . . . If you do, you are very much mistaken."

Pilate: "I can cut that thread."

Yeshua: "You are mistaken about that too . . . Don't you agree that that thread can only be cut by the one who hung it?" (19).

Pilate then asks: " . . . the kingdom of truth will come?"

"It will, Hegemon," replied Yeshua with conviction.

"It will never come! Pilate shouted in such a terrible voice that Yeshua recoiled. (23).

Bulgakov's doubting Pilate is utterly conflicted, whereas his mephistophelean Woland is a devil of great confidence. Like Paul, above, in Last Temptation, Woland teaches by "obstinacy, longing, and faith." He whispers to the doubting poet Berlioz: "Keep in mind that Jesus did exist."

"You know, Professor . . . we respect your great knowledge, but we happen to have a different point of view regarding that issue."

Woland: "No points of view are necessary . . . He simply existed, and that's all there is to it."

Berlioz: "But surely some proof is required."

Woland: "No, no proof is required. . . . But as we part, I implore you, at least believe that the devil exists! I ask no more than that. Keep in mind that for this we have the seventh proof . . ." (12, 34).

***********************

" . . .there is nothing but mystery in the world,
how it hides behind the fabric of our poor, browbeat days,
shining brightly, and we don't even know it"

~ The Secret Life of Bees (63) ~




P.S.
Not forgetting The Gospel According to
Another Roadside Attraction
Tom Robbins
Featured previously on Kitti's List:
Now I know that I read Even Cowgirls Get the Blues a couple of times in the 70s, and Still Life With Woodpecker a couple of times in the 80s. So why not Another Roadside Attraction? Luckily, my eldest brother sent me a copy for Christmas in 2006. If, like me, you missed it in the 70s, it's not too late! The funky restaurant and wacky animal acts were fun, and I appreciated all of Amanda's nature / life philosophies; but what I really loved (and maybe this is true for everyone who reads the book) was the last third of the novel when the criminal monastery subplot takes over and becomes the plot!

It was kind of like The Da Vinci Code meets The Last Temptation of Christ which, by the way is another one of my favorite novels. Both Roadside and Last Temptation (by Nikos Kazantzakis) force the reader to question what matters most in Christianity -- is it the death and resurrection; is it to love your neighbor as yourself, is it that the kingdom is within? One thing for sure -- it is NOT what it has become over the centuries. However, if the secret is still hidden somewhere amidst all the distortions and meanness and abuses of power, these novelists come closer to finding and revealing it (to me anyway) than anything I have ever happened across in any church.
And previously on the Quotidian Kit
Equinox Earth & Sky
Delacroix et Delacroix
Even Cowgirls

Monday, October 25, 2010

Eclectic Course of Must Reads

The Little Prince, Most Dashing in his Traveling Scarf!

A few years back, several people all at once, each unbeknownst to the other, asked me what titles I would recommend to a reader who was starting at "Go." I mulled it over some, thinking about syllabi and reading lists. More importantly, however, I went with my heart and in an hour or so of brainstorming came up with the following list of "Must Reads."

Undoubtedly, you have only to glance down the page before a thousand omissions become apparent. No Shakespeare, for example...but maybe I wouldn't recommend Shakespeare at the starting line; better to run a couple of laps first. Not necessarily thematic or consistent or even rational, this list represents the titles that came to mind that day when I asked myself "What books are you really glad that you have read?"

I hope you will enjoy at least some of these suggestions:

VERY OLD FAVORITES FROM WAY BACK

These were the soul - searchers:

The Fantasticks
by Tom Jones & Harvey Schmidt

Our Town

by Thornton Wilder

The Little Prince

by Antoine de Saint Exupery

I Heard the Owl Call My Name

by Margaret Craven

Doctor Zhivago

by Boris Pasternak

The Good Earth

by Pearl S. Buck

The Heart is a Lonely Hunter
by Carson McCullers

To Kill a Mockingbird

by Harper Lee

Stranger in a Strange Land
by Robert Heinlein

The Water is Wide

by Pat Conroy


MYSTERIES

If you’re in the mood for a thriller,
I think these are all above average:

The Daughter of Time

by Josephine Tey

Summer’s Lease

by John Mortimer

The 7th of July

by Jill McCorkle

Fatal Inversion

by Ruth Rendell

The Secret History

by Donna Tartt

Turtle Moon

and
Second Nature

both by Alice Hoffman

The Erasers

by Alain Robbe-Grillet


TRAVEL

As mentioned awhile back,
you should read everything by Bill Bryson;
also these American travelogues:

Blue Highways

and PrairyErth
both by William Least Heat Moon

Mama Makes Up Her Mind

and Sleeping At the Starlite Motel
both by Bailey White


WORLD WAR II

Loss, sadness, and European history:

Badenheim 1939

by Aron Appelfeld

The Tin Drum

by Gunter Grass

War Time Memories

by Louis Begley

The Remains of the Day

by Kazuo Ishiguro

How German Is It

by Walter Abish

Hiroshima

by John Hersey

Slaughterhouse Five

by Kurt Vonnegut

The White Hotel

by D. M. Thomas


MISC. WORLD LIT

Nearly all from my classes with
Professor Leonard Orr:

The Metamorphosis

and The Trial
by Franz Kafka

The Wanderer

by Henri Alain-Fournier

Death in Venice

by Thomas Mann

The Master and Margarita

by Mikhail Bulgakov

Out of Africa

and "Babette's Feast"
both by Isak Dinesen

Kitchen

by Banana Yoshimoto

If On A Winter’s Night a Traveler

by Italo Calvino


AMERICAN STANDARDS

Don't worry, I'm leaving out Moby Dick:

Bartleby, the Scrivener
by Herman Melville

My Antonia

by Willa Cather

The Great Gatsby

by F. Scott Fitzgerald

Winesburg, Ohio

by Sherwood Anderson

The Sound and the Fury

by William Faulkner

In Our Time

by Ernest Hemingway

"Appointment in Samara"
by John O’Hara

Cat On A Hot Tin Roof

by Tennessee Williams

Catcher in the Rye
by J. D. Salinger



MORE RECENT AMERICAN NOVELS

Modern and post-modern despair:

Dangling Man

by Saul Bellow

Miss Lonelyhearts
by Nathanael West

The Universal Baseball Association
by Robert Coover

Edwin Mullhouse

by Steven Millhauser

84 Charing Cross Road

by Helene Hanff

Still Life With Woodpecker

and Another Roadside Attraction
both by Tom Robbins

Breakfast of Champions
Cat's Cradle
Slapstick

and Jailbird
all by Kurt Vonnegut, Jr.

Ragtime
by E. L. Doctorow

Bright Lights, Big City
and Brightness Falls
both by Jay McInerney

Moo

by Jane Smiley


A FEW PICKS FROM MY GRAD SCHOOL READING LIST

Modern British and Irish fiction:

Far From the Madding Crowd

by Thomas Hardy

Sons and Lovers
The Man Who Died
The Captain’s Doll

all by D. H. Lawrence

Brideshead Revisited
by Evelyn Waugh

Anglo-Saxon Attitudes
by Angus Wilson

Lucky Jim

by Kingsley Amis

Hurry On Down

by James Wain

My Strange Quest for Mensonge
by Malcolm Bradbury

Brave New World

by Aldous Huxley

Keep the Aspidistra Flying

by George Orwell

The Ice Age
by Margaret Drabble

Dubliners

and Portrait of the Artist As a Young Man
by James Joyce

The Third Policeman
by Flann O’Brien

My Left Foot

by Christy Brown

Murder in the Cathedral

by T. S. Eliot

A Man for All Seasons

by Robert Bolt

The Importance of Being Ernest
by Oscar Wilde


SOME SLIGHTLY EARLIER BRITISH LIT

You can substitute other Dickens' titles if you want,
but I preferred these to David Copperfield or Oliver Twist:

A Tale of Two Cities

and Great Expectations
both by Charles Dickens

Frankenstein

by Mary Shelley

Thursday, March 31, 2016

Challenges: Special K & Ten Favs

The Novel Reader by Vincent Van Gogh
See more Paintings of Readers

A few months ago my niece Brittany challenged her facebook friends and family to play the "First Letter of Your First Name Game." Thanks Brit, for getting my mind going on an otherwise lazy day! Here are my results, complete with a few readerly references:

My Name ~ Kitti

Girl's Name ~
Kevy ~ from favorite junior high novel,
A Crack in the Sidewalk by Ruth Wolff

and

Kezia ~ from favorite short story sequence,
"Prelude" by Katherine Mansield

Had I ever become the parent of twin girls, wouldn't
Kevy and Kezia have been the perfect names? Yes!
Boy's Name ~ Kerry
Animal ~ Kitten
Color ~ Khaki
Movie ~ Kill Bill (I would never watch this movie!)
Television show ~ Kotter, Welcome Back (inverted)
Something you wear ~ Kilt (have never worn kilt!)
Drink ~ Keifr (would not drink this stuff!)
Food ~ Kelp (would not eat!)
Something found in bathroom ~ Kleenex (ok, use lots!)
Occupation ~ Keyboard Player
Hobby ~ Knitting
Game ~ Kick - the - Can (Clover Meadows)
Place ~ Kingdom Come (or Kiev)
Country ~ Kenya (Mumbi!)
Reason to be late ~ Kept getting distracted . . . by facebook challenges!
(Peg, remember this one?)

Author(s) ~
Franz Kafka
Nikos Kazantzakis (see below)
Ken Kesey
Sue Monk Kidd (see below)
Stephen King
Barbara Kingsolver (see below)
Rudyard Kipling
Milan Kundera
Poem ~ "Kubla Khan"

Novel(s) ~
Katherine ~ Anya Seton
King Dork ~ Frank Portman
Kitchen ~ Banana Yoshimoto
Kite Runner ~ Khaled Hosseini

and, cheating a little bit:

Karenina, Anna
Kisses, Parachutes and
~ Erica Jong
Song(s) ~
"Keep Christmas With You"
"Killing Me Softly"
"King of the Road"
"Kiss Me"
"Knowing Me, Knowing You"
"Kumbaya"
"Kyrie Eleison" (aka "Carry a Laser")
Play ~ King Lear

Musical ~ Kiss Me Kate, Kismet

Fictional Character ~ Knave of Hearts

Four-letter word ~ Know

Still Life: French Novels
See this Van Gogh and many more

Also awhile back, my friend Milly wrote to say "I have been challenged by a couple of people to list my ten all-time favorite books. Impossible! I have put together a short list in no certain order of books that I loved! I challenge Kitti to do the same!"

Here's Milly's List

1. To Kill a Mockingbird ~ Harper Lee
2. Wuthering Heights ~ Emily Bronte
3. Me Before You ~ Jojo Moyes
4. My Losing Season ~ Pat Conroy
5. The Diary of Anne Frank
6. Gone With the Wind ~ Margaret Mitchell
7. The Orphan Train Quartet ~ Joan Lowry Nixon
8. Reach for the Summit ~ Pat Summitt
9. Plainsong ~ Kent Haruf
10. Rome Sweet Home ~ Scott Hahn

Still Life with French Novels and a Rose
Vincent Van Gogh


Here's My List

I'm going to be a copycat on
1. To Kill a Mockingbird

and since Milly mentions Pat Conroy, I'll add
2. The Water is Wide (also, the movie Conrack)

3. The Master and Margarita ~ Mikhail Bulgakov
4. Out of Africa ~ Isak Dinesen
5. The Last Temptation of Christ ~ Nikos Kazantzakis
6. The Secret Life of Bees ~ Sue Monk Kidd
7. Animal Dreams ~ Barbara Kingsolver
8. The Alphabet and the Goddess ~ Leonard Shlain
9. A Tree Grows in Brooklyn ~ Betty Smith
10. Mrs. Dalloway ~ Virginia Woolf

So hard to stop at ten!

Blossoming Almond Branch
in a Glass with a Book

Click here for Van Gogh Slideshow

******************

If you're not all quizzed out already, here are a few more:

Quarantine Quiz Shows

Class of '75

[Challenges: Special K & Ten Favs]

Possible ~ Plausible ~ Improbable

"Christmas Quiz"

"You're Out Walking"

"Take This Quiz!"

"Monday: Pop Quiz"

Talk to Me

Sunday, July 29, 2018

Queen of Cats

"Cathy who is queen of cats has cats and cats and cats.
Baby cats, big cats, skinny cats, sick cats. Cats asleep like little donuts.
Cats on top of the refrigerator. Cats taking a walk on the dinner table.
Her house is like cat heaven."
(12 - 13)

from "Cathy Queen of Cats"
in The House on Mango Street
by Sandra Cisneros

What Pine & Fuqua
Have Been Reading This Summer!


More favorite lines from ~Mango Street~

About her apartment on Paulina Street:


Norma: "You live here -- alone?" she asks.
Sandra: "Yes."
Norma: "So -- how did you do it?"
Sandra: "I did it by doing the things I was afraid of doing so that I would no longer be afraid." (xxiii)

About writers working together on their projects:

"We do this with no capital except valuable time. We do this because the world we live in is a house on fire and the people we love are burning. . . . we had no idea what we were doing was extraordinary." (xvii - xviii, xxiv)

Such beautiful imagery:

"The sky absorbs the night quickly - quickly, dissolving into the color of a plum." (xxvi)

Black Cat Reads Book About Black Cat!

When asked to name a favorite book, I always say
The Master & Margarita by Mikhail Bulgakov!

Fuqua is always ready for a good book --
especially if someone else is trying to read it!
~ Thanks to Cathleen for this photo! ~

Wednesday, July 17, 2019

To Assume My Humanity

Enfant écrivant (1870) ~ Henriette Browne (1829 - 1901)
Alternately entitled: A Girl Writing; The Pet Goldfinch

**************************

From youth to age we turn to books
in search of our true selves . . .


"When you were young
And your heart was an open book

You used to say live and let live
You know you did
You know you did
You know you did
But if this ever changin' world
In which we live in
Makes you give in and cry
Say live and let die
. . ."
~ Paul & Linda McCartney ~


"When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep
. . ."
~ William Butler Yeats ~


**************************

Steve Almond: "Literature exists to help people know themselves. . . . What I want to argue in this peculiar pint-sized ode is that our favorite novels aren't just books. They are manuals for living. We surrender ourselves to them for the pleasures they provide, and for the lessons they impart" (9, 15, emphasis added).

From his essay:
William Stoner and the Battle for the Inner Life
[Recommended by Ned; see also Stoner; and Victoria]


Madeleine L'Engle: "Journal entries for those days were earnest. I was reading as many letters of the great wrtiers as I could get hold of, and copying out the things that touched me closely. . . . Chekhov . . . Thoreau . . . Plato . . . Slowly I was learning who I was and who I wanted to be with the help of the great ones who had gone before me" (39 - 41, emphasis added).

From her autobiography:
Two - Part Invention: The Story of a Marriage


Marilynne Robinson: "Why do we need to read poetry? . . . Read it and you'll know why. If you still don't know, read it again. And again. Some of them took the things she said to heart, as she had done once when they were said to her. She was helping them to assume their humanity" (21, emphasis added).

From her novel
Home
**************************

So I asked myself: Who were the poets who helped me "assume my humanity"? Which "great ones" had paved the way? When did this process begin and with what authors?

For teen - age booksworms, particularly girls, a typical and time - honored answer might be Jane Austen, or the Bronte sisters. For me, however, it was Taylor Caldwell and Lloyd C. Douglas. Literary or not, these were the authors who inspired a summertime (1970 or so) quest to read if not their complete works, at least all that I could see on the library shelf.

Around the same time, my appreciation of poetry was kindled not by any one matchless poet but by the editor Ted Malone who introduced the selections in his anthology so tenderly that my heart was ready to honor each poem before I even read it. Next (1974 - 1980) came the early soul - searching and consciousness - raising poems of Naomi Shihab Nye; and eventually I gathered "who I was and who I wanted to be" from Edna St. Vincent Millay, Mary Oliver, Marge Piercy, Walt Whitman, Ernest ~ Sandeen (please see comment below).

When I asked Gerry about the idea of assuming one's humanity through literature, he named Charles Dickens and George Orwell. Unlike Gerry, who answered with no hesitation whatsoever, I confess to a few moments of consternation before settling on Franz Kafka and Virginia Woolf as the classic reading - list authors who most significantly provide pleasure, impart wisdom, and profoundly impact my way of understanding the world around me and the world inside my head.

A couple of summer's ago, my friend Don Lynam suggested that we all share our "list of books that have survived multiple purges." So many people posted so many intriguing titles, ranging from classics tried and true to others lesser known, with a generous sprinkling of curious, eccentric, and unique choices! Each item, thoughtfully chosen, had undoubtedly aided the various contributors in the assumption of their humanity.

The titles on my personal list overlapped with many already included in Don's survey, so I added only two: my all - time favorite The Master & Margarita by Mikhail Bulgakov; and, on Gerry's behalf, Diary of a Man in Despair by Friedrich Reck-Malleczewen.

**************************

In closing, here are a few life - changing, mostly non-fiction "manuals for living" that would survive any purge of mine. If you are in search of life coach advice, try delving into -- or even just skimming -- nearly anything written by . . .

Brian Andreas - poetic cartoonist
Bill Bryson
Paul Collins - Not Even Wrong
Joan Didion - "On Keeping a Notebook" ~ "On Self - Respect" ~
"In Bed: On Migraines"
Andrea Dworkin
Marilyn French - The Women's Room
Stephen Jay Gould

Anne Lamott ~ Turning 60 / 61 / 68 / 70 / Commence
"Age Makes the Miracles . . ." [in comments below}

Alan Parsons - lyricist
Leonard Shlain - The Alphabet Versus the Goddess
Sarah Vowell
Barbara G. Walker - The Skeptical Feminist: Discovering the Virgin, Mother, and Crone

And three plays:
The Fantasticks
Our Town ~ "The Least Important Day"
Stop the World -- I Want to Get Off

Thursday, January 16, 2020

Tolstoy Imagined You

Leo Tolstoy in His Study, 1891
by Ilya Repin, 1844 - 1930

"Tolstoy thought well of you
– he believed that his own notions
about life here on earth would be
discernible to you, and would move you.

"Tolstoy imagined you generously,
you rose to the occasion."

~ George Saunders ~

*************

"Books are the way that we communicate with the dead.
The way that we learn lessons
from those who are no longer with us . . ."

~ Neil Gaiman ~

*************
Nikita:The thought that he might, and very probably would die that night occurred to him, but did not seem particularly unpleasant or dreadful. It did not seem particularly unpleasant, because his whole life had been not a continual holiday, but on the contrary an unceasing round of toil of which he was beginning to feel weary. And it did not seem particularly dreadful . . .

Vasili: “'I'm coming!' he cried joyfully, and that cry awoke him, but woke him up not at all the same person he had been when he fell asleep. He tried to get up but could not, tried to move his arm and could not, to move his leg and also could not, to turn his head and could not. He was surprised but not at all disturbed by this. He understood that this was death, and was not at all disturbed by that either.”

~ Leo Tolstoy ~
"Master and Man"

*************

George Saunders:
from What writers really do when they write

4

What does an artist do, mostly? She tweaks that which she’s already done. There are those moments when we sit before a blank page, but mostly we’re adjusting that which is already there. The writer revises, the painter touches up, the director edits, the musician overdubs. I write, “Jane came into the room and sat down on the blue couch,” read that, wince, cross out “came into the room” and “down” and “blue” (Why does she have to come into the room? Can someone sit UP on a couch? Why do we care if it’s blue?) and the sentence becomes “Jane sat on the couch – ” and suddenly, it’s better (Hemingwayesque, even!), although … why is it meaningful for Jane to sit on a couch? Do we really need that? And soon we have arrived, simply, at “Jane”, which at least doesn’t suck, and has the virtue of brevity.

But why did I make those changes? On what basis?

On the basis that, if it’s better this new way for me, over here, now, it will be better for you, later, over there, when you read it. When I pull on this rope here, you lurch forward over there.

This is a hopeful notion, because it implies that our minds are built on common architecture – that whatever is present in me might also be present in you. “I” might be a 19th-century Russian count, “you” a part-time Walmart clerk in 2017, in Boise, Idaho, but when you start crying at the end of my (Tolstoy’s) story “Master and Man,” you have proved that we have something in common, communicable across language and miles and time, and despite the fact that one of us is dead.

Another reason you’re crying: you’ve just realised that Tolstoy thought well of you – he believed that his own notions about life here on earth would be discernible to you, and would move you.

Tolstoy imagined you generously, you rose to the occasion.
[emphasis added]

We often think that the empathetic function in fiction is accomplished via the writer’s relation to his characters, but it’s also accomplished via the writer’s relation to his reader. You make a rarefied place (rarefied in language, in form; perfected in many inarticulable beauties – the way two scenes abut; a certain formal device that self-escalates; the perfect place at which a chapter cuts off); and then welcome the reader in. She can’t believe that you believe in her that much; that you are so confident that the subtle nuances of the place will speak to her; she is flattered. And they do speak to her. This mode of revision, then, is ultimately about imagining that your reader is as humane, bright, witty, experienced and well intentioned as you, and that, to communicate intimately with her, you have to maintain the state, through revision, of generously imagining her. You revise your reader up, in your imagination, with every pass. You keep saying to yourself: “No, she’s smarter than that. Don’t dishonour her with that lazy prose or that easy notion.”

And in revising your reader up, you revise yourself up too.

*************

I'm guessing that when George Saunders envisions the authors of the past "thinking well of us and imagining us generously," he means the same thing as Marilynne Robinson when she says that the best teachers and poets help us "to assume our humanity."

I have long had a certain shelf of books, not organized by alphabet or genre but grouped together by a sense of specialness that I could never define very accurately until I encountered the words of Robinson and Saunders. Now I can see that the unifying element of these titles is the way in which each has helped me over the years "to assume my humanity." Thanks to Saunders for the profound realization that, in one way or another, across time and distance, these authors "have imagined me generously and I have risen to the occasion."

Here is a partial list,
with some obvious overlap to previous lists & posts,
such as the Must Reads & the Not Too Lates & Does Nanny...?:

It seems only fair to begin with
Home and Gilead by Marilynne Robinson

Coming of Age
The Catcher in the Rye, J. D. Salinger
The Effect of Gamma Rays on Man - in - the - Moon Marigolds, Paul Zindel

Loose Change, Sara Davidson
How to Save Your Own Life, Erica Jong
Memoirs of an Ex - Prom Queen, Alix Kates Schulman
Last summer (2019) I re-read Davidson, Jong, and Schumann for old time's sake. Wow, did that ever bring back the 1970s! Most interesting, it came to my attention that two passages that I have been ascribing to Erica Jong for the past 40 years actually come straight from Alix Kates Schulman:

"My life looked like a repeating decimal." (122)

Frank: "I'm due at the library now, but I'll be back later. Please excuse me."
Sasha: ". . . he embarrassed me so. Due at the library! -- like an important book." (183)
Cute But Deep
Love, Loss, And What I Wore [and all the rest], Ilene ~ Beckerman
The Tao of Pooh & The Tee of Piglet, Benjamin Hoff
Talk to the Hand, Lynne Truss

Later Coming of Age
It's Called A Breakup Because It's Broken
& He's Just Not That Into You, Greg Behrendt & Liz Tuccillo
Female Chauvinist Pigs: Women and the Rise of Raunch Culture, Ariel Levy
The Fat Girl's Guide to Life, Wendy Shanker
Girl With Glasses, Marissa Walsh

Fiction & Memoir
84 Charing Cross Road & Q's Legacy, Helene Hanff
The Woman Warrior, Maxine Hong Kingston
The Unbearable Lightness of Being, Milan Kundera
A Walk to the Hills of the Dreamtime, James Vance Marshall
Edwin Mullhouse, Steven Millhauser

Peace or Light?
The Master & Margarita, Mikhail Bulgakov
The Gospel According to the Son, Norman Mailer
The Greatest Salesman in the World, Og Mandino
God: A Biography, Jack Miles
Another Roadside Attraction & Still Life With Woodpecker, Tom Robbins
Our Lady of the Lost and Found, Diane Schoemperlen
Candide, Voltaire
from Expecting Adam
by Martha Beck
"I did, at long last, realize that it didn't really matter
what anyone else's opinion of my decision might be.
What mattered was that I had made a choice that felt as though,
in the end, it would bring me to the place I needed to go.
"