Sunday, September 17, 2017

Cate: Books & Cats

Another good one from Bruce ~ thanks!

And another book - based photo essay from Cate,
who loves the public library more than anyone I know!

The Book Table -- and Coloring Stuff!
And yes they are all being read or have been. Lol.

Kitchen Table:
Launching pad for library return today.

Close - up of Titles
A few annotations:

Fingersmith: Fabulous!

The Woman in Cabin 10: Good twist
but could have been a novella.

I Am Pilgram: 5 ***** Stars!

Since we Fell: Reminds me of Expats,
a book from last summer's list (see below). A must read.

The Expats & The Accident
Chris Pavone

Dark Places [also Gone Girl]
Gillian Flynn

The City & The City
China Miéville

Blood of the Oak

Elliot Pattison

Stuart MacBride

Summer Pics of Cate Reading With Her Sweet Pets
~ Dear Mrs. Tyla (RIP) ~
Also Mr. Duffy & Baby Sammy

Sammy = Samuel Manjushri Diamond DeLong
Manjushri is for an enlightened being of higher "prajna" or wisdom.
Diamond is for the Diamond Sutra.
Every Sutra begins with, "Thus have I heard."

For more insight & input from Cate,
see also my Fortnightly Post ~ September 14
Read A Book About Reading

Wednesday, August 2, 2017


Old Reliable Teaching Anthology

The HBJ Reader includes so many great essays, by Eudora Welty, Langston Hughes, Barry Lopez, Isak Dinesen, Lewis Thomas, George Orwell, Alice Walker, William Styron, E. M. Forster, Virginia Woolf, Stephen Jay Gould, James Baldwin, Joan Didion, Bertrand Russell, Barbara Tuchman, Loren Eiseley, and Paul Tillich

I recently took it off the shelf to reread a couple of long - time favorites: "Salvation" by Langston Hughes and "The Riddle of Inequality" by Paul Tillich. Despite Tillich's inconsistent use of inclusive pronouns [see my note below*], his observations have always helped me to appreciate how I take my mental health for granted, how, even in the worst of times, I don't know my own strength.


final paragraphs from
"The Riddle of Inequality"
Chapter 3
in Tillich's book
The Eternal Now

We cannot tell somebody who comes to us in great distress about himself -- "Make use of what was given you," for he may have come to us precisely because he is unable to do so! And we cannot tell those in despair because of what they are -- "Be something else," for the inability to get rid of oneself is the exact meaning of despair. We cannot tell those who failed to conquer the destructive influences of their surroundings and thence were driven into crime and misery --"You should have been stronger," for it was just this strength of which they were deprived by heritage or environment. Certainly they are all men, and freedom is given to them all. But they are also all subject to destiny. It is not for us to condemn others because they were free, as it is also not for us to excuse them because of the burden of their destiny. We cannot judge them. And when we judge ourselves, we must keep in mind that even this judgment has no finality, because we, like them, stand under an ultimate judgment. In it the riddle of inequality is eternally answered. But the answer is not ours. It is our predicament that we must ask the question, and we ask with an uneasy conscience -- why are they in such misery? Why not we? Thinking of those near to us, we ask --are we partly responsible? But even though we are, the riddle of inequality is not solved. The uneasy conscience asks also about those most distant from us -- why they, why not we? [You can see here why I was reminded of Bertrand Russell's "Three Passions."]

Why did my child, or any one of millions of children, die before he had the chance to grow out of infancy? Why was my child, or any child, born crippled in mind or body? Why has my friend or relative, or anyone’s friend or relative, disintegrated in his mind, and thus lost both his freedom and his destiny? Why has my son or daughter, gifted as they were with many talents, wasted them and been deprived of them? Why do such things happen to any parent at all? And why have the creative powers of this boy or that girl been broken by a tyrannical father or a possessive mother?

None of these questions concern our own misery. At present, we are not asking -- why did this happen to me? It is not Job’s question that God answered by humiliating him and then elevating him into communion with Him. It is not the old and urgent question -- where is divine justice, where is divine love, for me? It is almost an opposite question -- why did this not happen to me, while it did happen to another, to innumerable other ones, to whom not even Job’s power to accept the divine answer was given? Why, Jesus asks also, are many called but few elected? He does not answer the question, but states simply that this is the human predicament. Shall we therefore cease to ask, and humbly accept a divine judgment that would hurl most human beings out of community with the divine and condemn them to despair and self-destruction? Can we accept the eternal victory of judgment over love? We can not, nor can any human being, though he may preach and threaten in such terms. As long as he is unable to visualize himself with absolute certainty as eternally rejected, his preaching and threats are self-deceptive. For who can see himself eternally rejected?

But if this is not the solution of the riddle of inequality at its deepest level, may we go outside the boundaries of Christian tradition to listen to those who would tell us that this life does not determine our eternal destiny? There will be other lives, they would say, predicated, like our present life, on previous ones and what we wasted or achieved in them. This is a serious doctrine and not completely strange to Christianity. But since we don’t know and never shall know what each of us was in a previous existence, or will be in a future one it is not really our destiny developing from life to life, but in each life, the destiny of someone else. Therefore, this doctrine also fails to solve the riddle of inequality. [My note: As I've always suspected, what is the use of learning the lessons taught by time, if we have no consciousness of our accruing knowledge and no ability to carry it on to the next life?]

Actually, there is no answer at all to our question concerning the temporal and eternal destiny of a single being separated from the destiny of the whole. Only in the unity of all beings in time and eternity can there be a humanly possible answer to the riddle of inequality. "Humanly possible" does not mean an answer that removes the riddle of inequality, but one with which we can live.

There is an ultimate unity of all beings, rooted in the divine life from which they emerge and to which they return. All beings, non-human as well as human, participate in it. And therefore they all participate in each other. And we participate in each other’s having and in each other’s not having. When we become aware of this unity of all beings, something happens to us. The fact that others do not have changes the character of our having: it undercuts our security and drives us beyond ourselves, to understand, to give, to share, to help. The fact that others fall into sin, crime and misery alters the character of the grace that is given us: it makes us recognize our own hidden guilt; it shows us that those who suffer for their sin and crime suffer also for us, for we are guilty of their guilt and ought to suffer as they suffer. Our becoming aware of the fact that others who could have developed into full human beings did not, changes our state of full humanity. Their early death, their early or late disintegration, brings to our own personal life and health a continuous risk, a dying that is not yet death, a disintegration that is not yet destruction. In every death we encounter, something of us dies, and in every disease, something of us tends towards disintegration. [My note: Precisely! Here is John Donne's message -- see below -- nearly word for word, but without the metaphor of clod, mainland, and sea.]

Can we live with this answer? We can to the degree to which we are liberated from seclusion in ourselves. But no one can be liberated from himself unless he is grasped by that power which is present in everyone and everything -- the eternal, from which we come and to which we go, and which gives us to ourselves and liberates us from ourselves. It is the greatness and heart of the Christian message that God, as manifest in the Christ on the Cross, totally participates in the dying of a child, in the condemnation of the criminal, in the disintegration of a mind, in starvation and famine, and even in the human rejection of Himself. There is no human condition into which the divine presence does not penetrate. This is what the Cross, the most extreme of all human conditions, tells us. The riddle of inequality cannot be solved on the level of our separation from each other. It is eternally solved through the divine participation in the life of all of us and every being. The certainty of divine participation gives us the courage to endure the riddle of inequality, although our finite minds cannot solve it.


* from John Donne's “Meditation XVII”

This bell calls us all. . .
No man is an island,
Entire of itself,
Every man is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thy friend's
Or of thine own were:
Any man's death diminishes me,
Because I am involved in mankind,
And therefore never send to know for whom the bell tolls;
It tolls for thee.
When Donne says "man" does he mean women too? Hard to say. I rarely make that assumption, since I don't believe that most male writers, apart from a few exceptions, deserve that benefit of the doubt. Yet something inside me wants to embrace Donne's otherwise humane message.

I still remember reading Donne's famous passage to Ben and Sam in their early teens and young Ben, bless his raised consciousness, saying, "Mom, those are sexist pronouns."

In despair and resignation, I answered him, "Yes, I know, but, lo, after all these centuries, dare I edit the Master John Donne?" Heaven knows I'd like to, and it wouldn't be hard to do. It we didn't live in such a broken world, those male writers would have done it right in the first place. Can the damage ever be undone? In my linguistic frustration, I have indeed taken the liberty of slyly editing whatever needs fixing: William Blake, D.H. Lawrence, The Holy Bible, numerous Psalms and Hymns. Bird by bird. Pronoun adjustment may not right all the wrongs of the world, but it's a place to start.

I know Donne and Tillich should have been able to do better, but even Martin Luther King, Jr. failed miserably when it came to the use of inclusive pronouns. Another learning experience for the boys and me was listening to recordings of King's speeches every year on MLK Day. I had to do a lot of oral editing for them: changing "men" to "people" and "brotherhood" to "humanity," and so forth. King never says "men and women," only "men." Once or twice, in reference to children, he says "little boys and little girls" but that's it; grown women weren't on his linguistic spectrum. I'd like to think that had he lived on, he would have sooner or later eliminated the sexism from his language. But so many others still haven't and apparently don't intend to, as if it doesn't matter. We need a constant reminder of that line from "The Spinx" by Muriel Rukeyser (another old favorite from teaching days): "When you say Man . . . / you include women too. Everyone knows that. / . . . That's what you think." It's certainly not what I think!

Monday, July 31, 2017

Like a Sentence Deep Within a Book

A toast to Harry Potter on his 37th Birthday!
No Butterbeer on hand?
Camelot Mead ~ Honey Wine available at Walmart!

"The truth lies buried like a sentence
deep within a book, waiting to be read."

~ Madame Sybill Trelawney, Professor of Divination ~
from Harry Potter and the Prisoner of Azkaban
(film version, text differs slightly from book)

I particularly like this snippet of dialogue, in which
Dumbledore's magical description of dreaming
is equally applicable to reading:

Snape: "What about Potter? Should he be warned?"
Dumbledore: "Perhaps. But for now, let him sleep.
For in dreams, we enter a world that's entirely our own.
Let them swim in the deepest ocean
or glide over the highest cloud."


Interestingly, in Little Altars Everywhere -- more on my Fortnightly blog -- Rebecca Wells describes a similar sensation: "When I'm reading . . . I'm always somewhere else." Yet, she draws the opposite conclusion: "Life is not a book."
“Sidda can't help herself. She just loves books. Loves the way they feel, the way they smell, loves the black letters marching across the white pages.” (51)

"Sometimes I watch my daughter smuggle an extra book out, and even though I know I should, I just cannot bring myself to stop her. Sometimes you just have to reach out and grab what you want, even when they tell you not to." (53)

"See, she goes places when she reads. I know all about that. When I'm reading, wherever I am, I'm always somewhere else.(54)

“I am her mother, though, and it is my job to teach her that you cannot escape from life. Life is not a book. You can't just set it down on the coffee table and walk away from it when it gets boring or you get tired.” (65)
Still, I prefer to think that
"The World is a Beautiful Book"
where "the truth lies buried like a sentence . . . "

Thanks to my reading buddy Cate
for sending along this wise little
feline literatteur!

Friday, June 30, 2017

The World is a Beautiful Book

Neverending Stories ~ Colin Thompson

I recently found the following
excellent fortune inside my cookie:

Sometimes the fortunes don't seem to make much sense and appear to have been randomly generated by a confused fortune genie; but other times, they truly hit the spot. This one is so perfect that I have tacked it on my kitchen wall along with a few other favorites from previous years.

The vision of the world as a beautiful book took me back to some picture books that used to be such a treat to enjoy with my kids:

How to Live Forever & Pictures of Home
these two and so many more
by illustrator and writer Colin Thompson

Speaking of beautiful books, lately, I've felt too rushed to read much of anything more than once, but glad I took the time to re-read:

Badenheim & The Iron Tracks
both by Aharon Appelfeld

The History of Love
by Nicole Krauss

Summertime is always a good time to catch up on various books that I never got around to in my own youth or when my kids were young. It seems that even two childhoods is not enough time to read it all!

Roald Dahl

Misty of Chincoteague
by Marguerite Henry

Dog Friday
by Hilary McKay

The Golden Compass: His Dark Materials
by Philip Pullman

Save the Colors: A Civil War Battle Cry
by Joanne Anderson Reisberg

And finally, no summer is complete without

1. some true crime:
Love You Madly
by Michael Fleeman

True crime is always somewhat eerie and this one even more so because my old friend Marvin Hamilton (1955 - 2011) served as a public defender during the trial, back in 2005. Another long - time friend of Marv's let me know about the book, and we both read it this summer but were disappointed to find only one specific reference to Marv's work on the case: "The attorney bolstered his argument by reading from Clarence Darrow's Attorney for the Damned and Adventures of Huckleberry Finn." I wish the passages from Darrow and Twain had been included in the text!

2. some post - apocalyptic science fiction:
Station Eleven
by Emily St. John Mandel

Summer preparatory reading for rapidly approaching Dawn or Doom '17. I approached this bleak depiction of the United States in the near future with some skepticism, but references to Czeslaw Milosz, Shakespeare, and Yeats kept it interesting.

3. and a memoir:
Oblivion: A Memoir
by Héctor Abad

Thanks to Gerry for looking up the original title, El olvido que seremos, and providing a more elegant translation than mere oblivion: "The forgetfulness that we will be."

Or as Borges writes: "Already we are the oblivion we shall be" (233).

This biography / autobiography was recommended by our sweet friend Alma, when Gerry and I were in Medellin last December. It is the author's memoir and tribute to his father who was a medical doctor and professor of public health in Colombia -- and his struggle to impart common sense and leave the world better than he found it.

For excerpts, see "Magical Typing" & "Judging Time Aright". As Alma observed, both of these posts sprang from conversations with my brothers, thus bearing out the theme of family connections that runs through Abad's writing.
More magic coming up . . .

Photo from The Spiritual Warriors

Wednesday, May 31, 2017

My Strange Quest

Favorite Library Notice Ever!

The other day, in search of summer reading, I pulled My Strange Quest for Mensonge by Malcolm Bradbury down from the shelf. If you're unfamiliar with this brief, hilarious novel, here's a funny review to give you an idea of what's in store for the reader. This title came to mind recently, along with other examples of academic satire, and I have also included it on my Eclectic Course of Must Reads.

Adding to the sardonic humor was the post card that fell from the pages, where it has been lingering for the past twenty - eight years. I must have felt back then that it would be an appropriate bookmark -- or perhaps a footnote or an additional very short chapter -- for a book about a quest for a missing author and mislaid manuscripts.
" . . . the death of the Author leads of the rise of the auteur, showing that even in an ungoverned universe there is usually someone in charge. By having the scenery fall down a great deal and keeping other cameras in shot they proved that the films were fictions simply about themselves, and indeed this was a time when all art became about itself, books being about the writing of books and buildings about the building of buildings. Thus architecture became postmodern too and form stopped being a slave to function . . . . All art became a fund of eclectic quotations from all other art and it was clear . . . that we now lived in the age of the imaginary museum, when all styles were simultaneously available" (46).
If Powers of Horror by Julia Kristeva was truly "on a list of books that are so far overdue that it is doubtful they will be returned," where oh where could it have been? Did it ever make its way back home again?

I'm further mystified by own notation, faintly in pencil: "The Death of the Book." Another lost text? A chapter or an article by Kristeva? A confirmation that Powers of Horror was dead to the Purdue Humanities Library? Or was I telling the future?

When I check google / amazon, the most likely possibility that pops up is a book that was published only last summer: The Death of the Book: Modernist Novels and the Time of Readingby John Lurz. Sounds like a good one for the perpetual reading list.

Sunday, April 30, 2017

Suggestions for Sam

Wrapped Up Books at Auntie Tina's

"Books are the way that
we communicate with the dead."

Neil Gaiman

from his essay:
"Why our future depends on libraries,
reading and daydreaming"

Playing Chess & Daydreaming in Auntie Jan's Library

"I am not solitary whilst I read and write,
though nobody is with me."

Ralph Waldo Emerson

from his essay
Combining these two thoughts, from Gaiman and Emerson, I love the idea that we are not solitary when reading, because we are communicating with the dead!

When my son Sam asked for some reading recommendations to have on hand, here is the initial batch of titles that immediately sprang to mind:
Take the Cannoli (part memoir, about growing up in the Midwest: Oklahoma, Montana, then Chicago; part American History, tons of wit)
The Partly Cloudy Patriot (how to love the United States of America, even when you're feeling sad and worried)
Assassination Vacation (about Lincoln, Garfield, McKinley)
All three by Sarah Vowell
(see American Historians)

Washington Schlepped Here: Walking in the Nation's Capital
by Christopher Buckley

Perfect for airplane reading if you're on your way to Wash DC, or perhaps as a follow - up to your trip. I read it in just a couple days and learned a lot of U.S. history, even though Buckley couldn't resist bragging about being a Republican (after all, he is the son of the late Wm F Buckley, Jr.), plus the occasional sexist innuendo that I could have done without.
(see Highlights 2003)

by Edith Hamilton

(see SSR)

Playing for Pizza
by John Grisham

An American / Italian football novel. In addition to detailed play by play narratives of the game, it is also filled with mouth - watering descriptions of gourmet dining that will have you planning your next vacation to Italy if at all possible.
(see Thanks Dave)

The Last Picture Show
by Larry McMurtry

One of the saddest lines in all of American literature: "He was sweeping . . ."
(also the movie)

And the following from my long-standing
Bright Lights, Big City
Brightness Falls

both by Jay McInerney

The Little Prince
by Antoine de Saint Exupery

Summer’s Lease
by John Mortimer

The Daughter of Time
by Josephine Tey
Sam, here is a close - up of the chess board:

Monday, March 6, 2017

Evening ~ Timing ~ Floating
Poetry by Leonard Orr

by Leonard Orr
Publisher: Cherry Grove Collections
2010, 110 pp., $18.00

In case you have ever wondered Why We Have Evening, these poems by Leonard Orr offer a succession of beautiful reasons. We have evening for finding love and losing it and getting it back again; for breaking and mending and rebuilding, stronger than before; for cloud watching, stargazing, looking at old photographs, collecting rocks, updating our calendars, filling in blanks, marking time.

We have evening for learning lessons from the secret world of insects, more complex than we know:

"They seem so alike to us, these brood - ten cicadas, but
they have their passionate dreams and so filled with hope,
a lesson to me."

~ from "Cyclic" (15)

for reading in bed, in manner of Italo Calvino:

"Would we ever be so used to sharing a bed
we would spend the last half hour
reading our books and saying good night
without making love one more time?"

~ from "Asking" (17)

for joining in with the crowd, on a good day, on the way home:

"Inching along I mouthed to those around me,
'Record high temperature! Not bad!' showing
thumbs up, wanting to celebrate with my community."

~ from "Aftereffects" (21)

for dreaming, uroboros - style:

"You were reading the Tibetan Book of the Dead and I was finally asleep. . . . In my dream you were asleep beside me and I was lying on the propped up pillows reading the I Ching and I thought about chance and contingency, randomness and the shaping forces of the universe. . . . I watched your sleeping face . . . In the depth of your sleep . . . you dream you were reading the Tibetan Book of the Dead and I was finally asleep."

~ from "Reading" (23)

for contemplating the cosmos, with no heavenly body left unturned:

"Space exploration, what a waste, planet after planet,
the moon and the stars, comets and asteroids,
it is all a black hole, for you are somewhere on earth."

~ from "In Your Absence" (25)

for finishing manuscripts, yours, mine, ours:

"I place your page neatly on top of mine,
tapping the edges to line up perfectly,
taking a pleasure in this, our pages on the desk,
lying there together, glowing warmly, edges
aligned . . . "

~ from "Papers" (26)

for holiday dinners and delicious desserts:

" . . . the Persian eggplant
with tomato and yogurt sauce.

Anticipating your smile, your kiss,
I fill ramekins with whole wheat memories,
bake for an hour and melt dreams in a sweet topping.

I cut a thick slice of evening
and serve it fresh and steaming before you
on a dark blue plate with glazed yellow stars."

~ from "Thanksgiving" (27)

for synaesthesia:

"In your absence I swoon, overcome with synaesthesia,
my fingertips hearing the aroma of the yellow, a scent
of desire, I sniff the red grapes and hear their smoothness . . . "

~ from "Psychosomatic" (28)

for art appreciation:

" . . . just that perspective, all brown toned, pencil,
sepia ink, thousands of wavy lines as the wind
blow through the dry field, the undulations . . ."

~ from "Sun and Wheatfields" (30)

for practicing yoga, even if your mind wanders:

"I am instructed to count, to think
only inhale, only exhale, but my thoughts
sink and rise and search you out . . . "

~ from "Yoga Practice" (33)

for watching the geese fly overhead, like a prayer:

"I hear their foreign phrases
before their milling
gray black figures emerge
emerge from the mist, davening,
a minyan dutifully
gathering to say Kaddish."

~ from "Familiar" (46)

for grieving the death of pet:

"So I knew you would understand that when my sheltie died,
my first dog though I am so ancient, I knew you would not laugh
to know I recited the mourner's Kaddish, though he wasn't
strictly speaking Jewish; still he loved challah and leaped
ecstatically every time he heard the blessing over the bread.

~ from Grieving (54)

And, most importantly:

"This part of the day is to soothe
and calm, to wring out any unpleasant thoughts
to strain out the nightmares through the
holes in the black and blue sky.

That is why each night we have evening.
Unhappy extremes of day or night are wiped
clean . . ."

~ from "Why We Have Evening" (66)

Publisher Cherry Grove Collections
2012, 90 pp., $18.00

Looking for a book to read on a cold dark night when the light of day is hours away? This is it. Looking for some poems to read in the bleak midwinter when the vernal equinox is weeks away? These are they. When a loved one has gone never to return, or you yourself are never coming back. That's the time to read these poems because, as the poet says, Timing is Everything.

A time to be born, a time to die:

"When they approach dying in their mountain fastnesses
the exiles from Tibet have shamans reading urgently,
from long, loose woodblock printed pages, passages
urging the soul not to cling to the useless body, to
give it up, to accept the next phase, the new life. . . . "

~ from "Stubborn Soul" (13)

A time to embrace:

" . . . we turn
over and over in the rain, trying to keep the other dry,
trying to keep the other out of the mud,
trying to breathe deep into the lungs of the other.
How I love you! How I miss you!"

~ from "Cold Outing" (16 - 17)

"We leave only our tiny shadows . . . and jump
into some better other dimension where
everything is the way it should have been,
where there is no Bush administration and
President Gore stopped global warming,
and of course there was no war in Iraq
and everyone likes us. In that we new dimension
we are together every day, we spoon together
every night, not remembering that trillionth of
a trillionth of a second after Big Bang,
our expansion outward, our luminous
numinous bliss."

~ from "They Are Firing Up the Large Hadron Collider" (31 - 32)

A time to refrain from embracing? No! Please, no, not that:

" . . . O love, my teeth rattle with ululations;
how did it happen we are not together tonight?"

~ from "Empty" (70)

"I am the Mummy waiting for
someone to soak those dry leaves so I can
at long last embrace you again after these
twenty - five centuries we have been separated."

~ from "How I've Adjusted" (75 - 76)

The title poem, occurring second to last in the book, warns the reader of leaving things too late. Despite what we've been taught all of our lives, there will not always be time:

"You send note after note after note: Come to me, Love!
I'm ready now!
. . .
. . . Then you learn
I died a decade or two earlier and you didn't
even realize, you heard nothing, your heart
didn't pick it up through the ether. . . . "

~ from "Timing is Everything" (86)

by Leonard Orr
Publisher: Cherry Grove Collections
2015, 92 pp., $18.00

If you would like to be transported by loveliness for an hour or so, might I suggest sitting down with a copy of Leonard Orr's third book of poetry A Floating Woman and listening to Brahms' Clarinet Quintet in B minor, Op. 115 -- you can actually do both at the same time (click here to enjoy the Quintet in the privacy of your own home).

I made the connection quite by coincidence a few days ago when I set aside my reading at the behest of my friend Katie to attend a concert of chamber music. Browsing through the program, I came across the following description of the clarinet quintet:
"The work as a whole possesses a unique collection of affects. It is an oversimplification to describe it as melancholy and autumnal, although this is part of the truth; in fact, there is a great depth of sadness in the piece, which may not be felt in every bar but is never far from the surface. At the same time, though, the music is constantly energized by rhapsodic, wild gestures and flickering textures; our tragic hero, if there is one, is driven to wander restlessly, not stay at home."
~ Misha Amory
Had the music reviewer been reading Orr's poetry? It seemed so! Just think "book" instead of "piece," "line" instead of "bar," "poem" instead of "music." I spent the remainder of the concert drifting back and forth in my mind from the sometimes keening, sometimes joyful clairnet to various poetic passages from Floating:

" . . . I swayed
rhythmically forward and back,
though I hummed a tune that seemed
given into my throat from the sun.
Telephone lines above were mandolin strings
I plucked and strummed to reach you
where you were, hemidemisemiquavers
rapidly expressing my Sehnsuch, the notes
floating out over the river where gulls
swooped in to grab them. . . . "

~ from "Rapture" (36)

The poems in this collection follow the mysterious trajectory of a narrator and an elusive lover who float through air, water, dreams, space; appear in photographs and manuscripts; travel highways and byways both real and surreal; wandering at last through your own backyard or perhaps drifting in a nearby marina:

"Perhaps all of this time you have been nearby
in one of those graceful white boats tied to a pier
in what had been our river. The white
sails are furled but can quickly be set
for the winds to take you away. The
anchor can be lifted in minutes, the lines
cast away, should you want a new episode.
The lights of the boats in the river are
festive, the bounce in the tide
matches your heartbeat. You are
here and not here. You are attached
so tentatively you think you are free."

~ from "A Floating Woman" (83)

See More:

Poems: "Past Tense, Future Tense" ~ "Yiddish for Travellers"
"The Loop" ~ "Desperate Times" ~ "Optimist" ~
"Sun and Wheatfields" & "Russian Olives" ~ "Monet's The Magpie"

Links to various paintings by Leonard Orr

Christopher J. Jarmick's review of Why We Have Evening

Facebook commentary and response

And Thanks To Katie!